• Realm of the Ravens is a 40x40x1.5 inches large oil painting of a flock of ravens in flight against a golden sunset behind winter trees. The background is blurred, semi abstract and slightly magical, whilst the ravens are carefully painted in the foreground to give a feeling of depth. The ravens flap and caw as ravens do and although they have a woodland behind them, they are also moving into another realm through the hint of veils which they pass through. One of the ravens is white and the rest reflect the colours that you can see in black ravens of blues, greens and deep violets. Ravens fascinate me as they follow you and report to each other when you are in their territory. A collection of ravens is apparently called a ‘conspiracy’ which seems apt sometimes especially as they seem to laugh at the antics of mammals and humans. The inspiration for this painting is the winter woodland I see around Sussex and the ravens themselves who definitely know something I don’t about the landscapes I walk in. The painting has white edges, is ready to hang, no frame needed. https://youtu.be/8nXcgvD0BHo
  • Seeing Beyond

    $1,893.00
    Seeing Beyond is 48x36x1.5 inches large oil on canvas painting, semi abstract art nouveau style dreamscape. The painting shows a view through a golden curtain where the gap is forming a distorted number eight or infinity symbol. Through this shape there is a white stag looking out over a lake with a waterfall and blossom trees all around him. Up in the tree on the left is a white raven. The gold curtain is transparent so you can see this other world through it. I have always believed in other universes and other realities and this is a painting that tries to show this in an aesthetically pleasing way (I hope). The white stag and the white raven are there to add a little a mystery and have their own story to tell. I am particularly happy with the change in colours between the gold curtain which is quite warm and colder colours of the landscape beyond as it adds another aspect again to a slightly strange fairy tale type painting. It is painted on deep edge canvas, white edges, ready to hang. https://youtu.be/LkZdPykA32Q
  • The Herald

    $1,893.00
    The Herald is a large, 36x48x1.5 inches, oil on canvas painting of a red deer stag in an autumn forest. The painting takes the viewer down a path through the autumn trees with vibrant coloured bracken and leaves to either side. The stag stands to the left watching. He is the herald of autumn and he has made his claim on the autumn forest. At the end of the path the light shines through the trees so brightly that you can't see what is beyond them. But it is something beautiful. The colours are very bright autumn colours ranging from deep purple through to wine, orange, yellow, lilac and blue. It has been built up using thick, generous layers of paint and is expressionist and expressive in style. I painted it after a few October walk in the Ashdown Forest where I saw these colours in the trees and heather and ferns as well as the occasional deer spotted in the distance. It is painted on deep edge canvas, white edges, ready to hang, no frame needed.
  • The Owls Wood

    $1,255.69
    The Owls Wood is 30x30x1.5 inches oil painting on canvas in contemporary art nouveau style of a white owl in an autumn wood. The painting shows a view along an autumn path through rows of trees vanishing in the distance. Autumn colours of greens, yellows, reds and oranges can be seen through white branches and the owl floats behind them in stealth mode as owls do. She is silent and deadly and beautiful and she owns this little forest. The paint is thick and luxurious and is reminiscent of stained glass. The painting started life as a more traditional autumn forest path painting but needed something extra so I added more as I like layers and the idea of things being hidden and then revealed. The painting is dedicated to owl lovers and anyone helping to keep our English forests ancient and beautiful and safe for their wildlife. It was inspired simply by how happy walks in Sussex landscapes make me and my quest to actually see a white barn owl in one of my walks which I am yet to do. https://youtu.be/z1yENZxLiqU
  • Out of stock
    Forest Wraiths is a 48x36x1.5 inches large semi abstract oil painting of red deer in a pale forest. A stag and two female deer stand in a clearing in a mystical forest and seem to be winking in and out of existence. The colours are fresh and neutral and muted with white veils and pale yellows, lilacs and blues. The painting style is a fusion of art nouveau, traditional and abstract and was made by building lots of transparent layers of paint over each other with the aim of making the scene not quite of this world but not too far removed from it either. Deer have a way of appearing and then vanishing, especially in woods and forests and this idea is hinted at in this painting. I also wanted to catch an impression of light through the trees with a little touch of the gold of a sunset - though not in a 'realistic' way. It is more hint of different realities slightly overlapping each other to give an element of magic. I live near the Ashdown Forest so though I often see deer, always find it thrilling. Painted on deep edge canvas, white edges, ready to hang.
  • Horse Metamorphosis is a 31.5 x 47x.0.5 inches large contemporary red oil painting of beautiful gold Arabian horse against an abstract bright red background. The golden horse dances in the foreground inside a dark forest with mottled light falling in patches on the path out towards the clearing. The path leads out of the woods and into a glowing summer wildflower meadow. Veils of transparent bright red hang over the scene as the horse begins to emerge from that world into a different one. The painting was started years ago simply to reflect the happiness I get when looking at a beautiful horse but become something more when the red veils were added which gives it a real presence. The original message of the painting was that there is more to life than hiding in the dark. I think now the message is more that there are other realities and that is worth exploring them. It is painted on thin edged canvas painted red, ready to hang. See Video: https://youtu.be/RadVPQOxiNo
  • Night walk

    $628.48
    Hand-painted. They are NOT computerized or poster prints. Canvas, oil 50/60
  • Out of stock
    Elusive-2 is a 36x48 inches large original oil on canvas of an autumn forest clearing with deer. The painting shows a stag and a doe blinking in and out of existence in a clearing in an autumn forest. The trees lead you into the painting and the deer wait in the misty clearing to transport you elsewhere. Deer are seen as messengers or spirit guides in many cultures and I do find them ethereal and very beautiful. I have no idea how people can shoot them. This painting is another in another in a series of large forest landscape deer paintings that are a tribute to the beautiful landscapes of Sussex, especially around the Ashdown Forest and the elusive deer that inhabit them. Deer have a magical way of appearing and then vanishing in the blink of an eye. It always takes my breath away when I come across them in a forest. This painting is atmospheric, abstract, art nouveau, expressionist, in style. It has deep edges, white, and is ready to hang. See video at: https://youtu.be/cjktPAEkI04
  • Out of stock
    Spirit of May is 40x40x1.5 inches art nouveau contemporary landscape painting of a white spectral deer in a wildflower meadow. The painting was made after a walk near Wadhurst in Sussex and shows a very colourful array of wildflowers in an abstract, art nouveau, expressionist style. It shows a path view through a meadow in May leading towards hazy summer trees in the background. A transparent white deer stands in the foreground blending into his landscape as deer tend to do in real life. The intention I had on painting this landscape was to capture my impression of a beautiful area of Sussex and a beautiful season. I am always thrilled by the sights and scents of England in May and I try to share these moments in my paintings. Although this has many colours in it, the painting is still mostly green with overlapping veils and colours that hint of how fleeting the month of May is. It is painted on wide edge canvas, white edges, ready to hang, no frame needed.
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