Browse our central collection; showcasing all uploaded creations irrespective of their medium.
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Linocut 2018 Original edition, numbered and signed (ed/30) Printed with oil based ink on Opal paper 250 gr 45x45cm -
Linocut 30x40cm Original edition, numbered and signed (ed/30) - 2016 Printed with oil based ink on Opal paper 250gr -
Original edition, numbered and signed (ed/30) - 2017 Intaglio, etching and aquatints on copper plate Printed with oil based ink on Reina paper 300gr - 45x25cm -
Limited edition giclée print on premium 300gsm acid free paper -
Limited edition giclée print on premium 300gsm acid free paper -
Signed limited edition giclée print on premium 300gsm acid free archival paper. -
Flower collection -
Created by two of Latin America’s leading artists – José Falconi from Peru and Santiago Montoya from Columbia – “Bittersweet” expands upon their original collaboration in Columbia, titled, “El Dorado Chocolaterie.”
This reference to the foundational myth of “El Dorado”— that elusive city where everything was covered in gold, derives from the earliest days of colonization in the 16th century when countless explorers mounted expeditions in search of it.
Over the years, the myth has served as an allegory for the ongoing search and exploitation of Colombia’s immense natural wealth, a symbol for get-rich-quick schemers who traffic in its resources from gold to quinoa, from emeralds to cocaine.
Sure to attract the attention of critics and art-lovers from Somerville and beyond, “Bittersweet” reimagines the elusive paradise of gilded beings long sought by South American explorers. Instead of gold, however, these explorers will enter into the subconscious world of sweets, turning the Museum into an enormous chocolate factory where with the exchange for a hot cup of cocoa will be the visitor’s time.
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royal horse artillery team on the move acrylic paint on textured paper size A3 -
royal horse artillery [ gun salute ] acrylic paint on textured paper size A3 -
marsh harrier found on salisbury plain acrylic paint on canvas board size 10.6cm x 50.8cm -
acrylic paint on canvas board size 10.6cm x 50.8cm -
wizard [ thou shall not pass ] acrylic paint on canvas size 76cm x 61cm -
Sale!
Original oil painting, landscape on canvas -
Out of the Forest is a large oil painting, 36x48x1.5 inches, of a view through the trees of the Ashdown Forest in Sussex to the heathland and fields beyond. It was inspired by the fact that I live very close to the forest and often walk there. The reality of this painting is a little strange. I wanted it to contrast being ‘realistic’ as well a little abstract and have therefore experimented by adding extra shapes and layers and hinting at other things but without losing the overall feeling of a warm golden space under the pine trees contrasted against the colder colours, blues and green of the landscape beyond. To the right of the painting a small deer stag can be seen looking back at us. He is quite well hidden. As a regular walker, I am fascinated by how much landscapes change at different times of day and in different seasons and wanted to try and capture this ever changing reality. I also enjoy spotting the deer who are always there but are clever at hiding. I like the ambiguousness of this painting. It is inviting and yet odd and I find it much more interesting than a traditional landscape painting. It feels like a place that may have a portal to some other universe… White edges, does not need a frame, ready to hang. See video about it: https://youtu.be/G4XSmW_8qfc -
Spellbound Summer is a 30x30inches original oil painting on canvas of a white owl flying over a summer meadow full of wildflowers. The owl is seen against deep green and blue trees and appears to be flying through a gold transparent veil as she brings a touch of magic to the meadow. There is magic in nature and when I walk through a summer field especially, I see abundant life and activity. A summer field is nature’s internet - wherever you look something is trying to be noticed. That exuberance is what inspired this painting. The painting style is semi abstract as I have blurred the edges and added details towards the centre to give an idea of zooming into the landscape. I like this effect as it is like a snapshot of a memory with some emotions added and fits with my desire to make paintings like little windows that you can escape to whenever you need to! Dedicated to all the ramblers and dog owners I meet when out walking. Painted on deep edge canvas, white edges, no frame needed. I made two short videos of the creation of this painting which you can see here: https://youtu.be/ENfm_GWU7wU and https://youtu.be/Jm-Jpa2N2bs -
Gentle Souls is 40x40x1.4 inches large contemporary, semi abstract, art nouveau painting with two spotted fallow deer in a woodland clearing in winter. Both deer stand on a different plane and around them are abstract trees that hint of pine trees and frosty tree branches. There is a suggestion of a hazy sun above tree line and hills in the top right. The two female deer have appeared in a strange space that hints of the heart of a forest but is overlapping in possibilities with transparent layers. The colours range from white and cream through to pale yellow, blues, violets, orange and pinks. The inspiration for the painting came having seen the herd of deer at Knole Park in Kent. I was struck by how elegant and perfect these little deer are, and simply wanted to express this. I chose a semi abstract background as it allows me freedom that contrasts with the traditional handling of the deer. Above to the right is a suggestion of a moon. I like the mystery of this painting and I am happy I have caught some of the essence of the deer who remain a constant source of fascination for me. I often see them when walking and are always amazed at how such relatively large creatures can appear and disappear with such apparent ease. It is quite magical. The painting is on deep edge canvas, white edges, no frame needed, ready to hang. See Video https://www.youtube.com/watch?v=lQiauXzoKYk -
Realm of the Ravens is a 40x40x1.5 inches large oil painting of a flock of ravens in flight against a golden sunset behind winter trees. The background is blurred, semi abstract and slightly magical, whilst the ravens are carefully painted in the foreground to give a feeling of depth. The ravens flap and caw as ravens do and although they have a woodland behind them, they are also moving into another realm through the hint of veils which they pass through. One of the ravens is white and the rest reflect the colours that you can see in black ravens of blues, greens and deep violets. Ravens fascinate me as they follow you and report to each other when you are in their territory. A collection of ravens is apparently called a ‘conspiracy’ which seems apt sometimes especially as they seem to laugh at the antics of mammals and humans. The inspiration for this painting is the winter woodland I see around Sussex and the ravens themselves who definitely know something I don’t about the landscapes I walk in. The painting has white edges, is ready to hang, no frame needed. https://youtu.be/8nXcgvD0BHo