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original oil on canvas by Lohmuller Gyuri -
Out of stock
White winter Hart is a 40x40x1.5 inches large original oil painting on canvas of a white hart deer stag in a semi abstract winter landscape. The colours are muted and blurred behind the stag and there is a suggestion of snow and ice and of silver birch trees at sunset. Behind the hart (stag over 5 years old) there are trees tinged with gold and layers of fields and woodland rising up behind him. The effect is quite art nouveau and expressionist and the paint is thick and luscious. The colours range from pristine white through to yellow, gold, amethyst, turquoise, blues, reds and purple. This painting was inspired by a recent brief snowfall in Sussex near the village of Danehill which has ancient woodland paths and bridleways and rolling fields and gully's between them. This hart is a red deer but the deer I actually saw on this day were Roe deer who are often found in large herds in this area watching you from the trees. I am very pleased with the colours and the real - not real effect of this painting which is as interesting to view close up as it is from a distance. The painting is ready to hang, has white edges and is on 3D deep edge canvas so no frame is needed. -
Out of stock
White Birds Blue Sea large seascape painting is 36x48x1,5 inches original oil painting on deep edge canvas, white edges, no frame is needed, ready to hang. The painting shows two tropical white angel terns dancing around each other and flying low over a sparkling blue sea. The painting was made by building up lots of pastel colours one over the other and then putting on a slightly pearlescent white layer on last of all which gives the whole painting a white, fresh and slightly glowing effect. It was inspired by a Caribbean holiday some years ago when I spent many hours in a glittering blue turquoise ocean like this with the sun shining off the water of the horizon and making it white and hard to look at. Above me there were beautiful birds soaring and wheeling over the bay. I found it serene and very beautiful as a subject and tried to capture a bit of it with this painting. This is the second version of it as the first was not quite fresh and bright enough! :-) -
On a bright sunny day, the golden highlights on this shipwreck just lit up. This ship went aground after Hurricane Lenny, 1999, off the coast of Marigot, St. Martin. It was removed in 2017. I painted this in 2015. -
Ice Tiger is a 40 x 40 x 1.5 inches large oil painting on canvas of a white tiger in a distant and strange land. The tiger is stalking along a branch to the left while behind her there is gauzy fantastical landscape that hints of trees and waterfalls in a jungle like landscape. It is art nouveau, contemporary expressionistic, semi-abstract in style and was made by layering many colours over one another with the final layer being white. My aim with the painting was to create a land where a tiger could be free. And because tiger survival is a precarious thing right now, I wanted the painting to be whimsical and fleeting and strange. I think I achieved this! The tiger was originally orange and quite traditionally painted but has become distorted and more abstract as I added more layers. This is big fresh painting that will fit well in clean white spaces. It is on deep edge canvas, white edges, no frame needed, ready to hang. -
Art nouveau party horse is a 30x40x1.5 inches oil painting on canvas of an Arab horse but painted in an art nouveau, rather playful style. This painting began life as a serious portrait of a beautiful bay stallion. However, it was boring so I decided to see what would happen if I made it into a Gustav Klimt style painting. I added lots of gold and some little patterns and marks that transformed it completely. I am very fond of paintings that show an interplay between traditional and abstract so am now very happy with this painting as it looks like a conservative horse who has gone to a party and is letting his hair down (hence the name). The background and edges are gold and it does need a frame and is ready to hang. -
A fishing boat in Newburyport, MA dockside with ice paddies between the hull and the dock' -
Out of stock
The watchers in the forest is a very large original oil painting - 48x48x2 inches showing a walk through a rainbow forest with watching deer. The painting depicts a very vibrant woodland path that invites the viewer into it and because it is a large painting, does it quite effectively. The path leads through dark trees to the edge of the forest where there is a clearing that is so bright you cannot see what is in it. But whatever is in it, it is something you really want to be there. At the edge of the forest with the light behind them are deer and stags. They watch and wait as deer do. The paint is very thick and was made by building many thick layers of paint over each other over several months. The dark colour in not black but is a series of dark greens, blues, purples and magenta which can be seen changing as the sun moves around the room it is in. The contrast between the dark and light colours makes the painting shimmer like a stained glass window. This theme is one I come back to often, partly because I walk in alot of forests and see deer in them, and partly because forests thrill me and terrify me in equal measure. I often feel I will find something wonderful on coming out of a forest - if I do mange to get out of it. It feels like life - part danger - part thrill but always interesting... -
Dog at the sea -
Daily Painting 286/365 (15th October,2017) - Fresh growth, new layers, leaves and the ongoing notion of a smaller painting brought to a completed conclusion on every single day of 2017. Acrylic, brushwork, spray paint, marker pen, gloss varnish on canvas. 13cm x 13cm x 1cm The piece is available via mailorder, or can be viewed at my Hackney Studio by appointment, more details via www.seanworrall.net -
SEAN WORRALL - "And Then There Were Four" - Fresh layers, new leaves, more growth. a painting that has been evolving over the last three years since the perfectly canvas was found abandoned out back of a charity shop in a skip with very little painted on it. Layers of leaves have been growing on it ever since. Acrylic, spray paint, marker pen, varnish on canvas, 75cm x 50cm (Feb 2017) The piece is available via mailorder, or can be viewed at my Hackney Studio by appointment, more details via www.seanworrall.net -
SEAN WORRALL - Starz - Another One 5/6 (December 2018) - A series of six small canvas paintings all painted together, 10cm x 10cm x 1cm, acrylic, brushwork, spray paint, gloss varnish 0 and no, I don't have a star, the layers of stars are all hand-painted, someone said I was block printing them yesterday, no, all hand painted, layers and layers... Signed with a "s" on the front and fully signed and dated on the back. find out more via www.seanworrall.net -
"A Leaf" - Acrylic on canvas, 20cm x 20xm (December 2018) = A leaf painted on a leaf shaped canvas, acrylic, brushwork, gloss varnish, many hand-painted layers of stars. 20cm x 20cm at the widest part of the leaf shape. Signed with the customary "S" on the front and full signed on the back. Find out more via www.seanworrall.net -
Twilight Grace is a 40x40x1,5 inches large original oil painting of an art nouveau style landscape with a white owl. The landscape shows a winter forest scene with a white lake at the bottom and a white owl swooping down from the trees. She is the silent herald of twilight. I painted this in January when purple, yellow, orange and pink are often seen in the evenings as the sun is setting through the naked trees. I was trying to capture the exact moment when the last beam of sun falls through a forest which acts as a signal for owls to start hunting. I painted the barn owl very carefully as I wanted her to look pristine against the slightly odd background of winter trees and white veils that I used to try and show the transition between the day and the night. Painting on deep edge canvas with white edges, ready to hang on wall, no frame necessary. -
Traditional oil on panel painting 16x20" -
30x40x1.5 inches red forest calls is a red oil painting made in a variety of rich reds, crimson, scarlet, yellow and purple. It is painted in art nouveau slightly abstract style and shows a red deer stag deep in a red forest while above and behind him some female deer call to him from the edge of the trees. There is a tentative message in this - females being the voice of reason when males get riled up maybe? but mostly it was painted because I love deer, I love red and I love deep dark forests. It is painted on deep edge canvas and the edges are also red. Framing not necessary. -
Out of stock
40x40x1.5 inches Monarchs of Spring is a large original oil painting on deep edge canvas with white edges. The monarchs are two red deer, a stag and a doe, who stand in the middle of a spring meadow full of white lacy flowers. Behind them is a tantalizing view of a field seen through the trees of yellow rapeseed flowers and glimpses of this yellow can be seen in a horizontal line all through the painting behind the deer. This was done for the very good reason that I like yellow and love seeing fields full of yellow flowers in Spring and summer. This painting was originally simply a landscape that I painted in May 2018 having been on a walk near Wadhurst in East Sussex through the deer park of a stately home there. I had wanted to reflect the abundance of the wildflowers and trees in meadows all over England during my favourite month. However when I looked at the painting later I realized I needed to add two of the deer. The painting is semi abstract, slightly art nouveau in style and is painted in muted tones of greens, lilacs, yellows and white. -
A continuation of my vineyard series of painting, this from the Loire Valley, France. Vibrant red leaves in the Fall season. -
A vibrant beautiful watercolour painting of the Tree of Life against a night sky. Original painting by me done in watercolour and the leaves and stars detail picked out by gold and silver ink. Measures 20cms high by 15cms wide. Framed. Photo has been taken without the glass in to prevent reflection but this will be posted with the glass in the frame. -
Out of stock
Lost in the light is a 40x40x1.5 inches large semi abstract oil painting in golden yellow and purple showing stags and deer in the light of a sunset. A herd of deer stand silhouetted in a forest clearing where golden autumn light shines through the trees behind them distorting their shapes. It is more abstract than my usual style but I quite like it as it was a good capture of how things actually look to me when I take my glasses off. I like the fact that I can still recognize what I am seeing but it is blurred and shimmering and more other worldly somehow. This painting was a bit of a wrestling match as has been over painted a few times in my quest to get it how I wanted it. However, this means it has lots of lovely thick paint and texture and has given it a presence it would not have had otherwise! It is painted on deep edge canvas, white edges, ready to hang. -
"The dream of the butterfly". The technique used is GRAPO. -
A painting called "The body 3". The technique used is GRAPO. -
A painting called "The body 2". The technique used is GRAPO. -
A painting called "The body 1". The technique used is GRAPO. -
Out of stock
Woodland Souls Winter Landscape with deer is a 40 x 40 x 1.5 inches large original oil painting on canvas in art nouveau, impressionist, semi abstract style. The colours are predominantly white, fawn, cream and pastel pinks, blues, lilacs and yellow. The edges are white and deep edge meaning no frame is needed. The painting shows two red deer, a stag and a doe appearing out of a winter forest with the suggestion of snow and winter trees behind them. They behave in that typical way that deer do when you come across them by chance, by standing and looking at you curiously but tensed and ready to flee. Sometimes all you have to do is blink and they will turn tail, flash their white behind's at you, and vanish into the trees that they they know so much better than you do. This is a recurring theme for me to paint for the excellent reason that I see deer almost every time I go walking in Sussex or Kent and it always thrills me to see how such a large animal can appear and disappear so easily. What I try to do when painting such a scene is to paint the background by memory alone, as that tends to be a good impression, but without too many details. Then I like to put in the deer who I start by painting in a traditional way, drawing on 20 years portrait painting experience, and then partly abstracting them. -
An old vine, grown into a distressed, broken down wall in the town of Poce sur Cisse, France. -
Bluebell symphony is very large original oil painting on canvas (48x48 inches) of a Spring woodland painted in a semi abstract, impressionist style. As it is a large painting, it gives the viewer the feeling that they can walk into this golden Spring wood with its bluebells and wildflowers and green trees and follow the sunlight path out to the fields beyond. A glowing yellow stag can be seen near the path looking at us imperiously as stags do. He is a guide to somewhere wonderful but is assessing our intentions before he leads us forward. In the foreground to the left is a large tree which sets the perspective for the rest of the painting. The bluebell flowers and leaves are painted in a semi abstract style which by their colours and positions hint at what they are but in an ambiguous way. This is because when I painted this it was from memory and I remember impressions and colours and motions but not details. I like it this way as it gives a transient feel which is what I wanted to capture here as that is what bluebell season is. For many people it is their favourite season (including mine) and I am happy to have painted a place where I can escape to a Spring woodland among the trees and flowers whenever I have had enough of an English winter... It is 1.5 inches think, edges white, frame not necessary, ready to hang.
