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    Vlaardingen - 10-06-17

     

    The principles of singularity as defined visually by me, put on paper with regard to a view on the harbour of Vlaardingen, a town near Rotterdam, Netherlands.

     

    Graphite pencil drawing (Pentel 0.5 mm, 3B) on Lana Bristol paper (21 x 29.7 x 0.01 cm - A4 format)

     

    Artist: Corné Akkers

     
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    The Shins (live@Paradiso) 20-04-17

     

    American band 'The Shins' performed at music temple 'Paradiso' at Amsterdam last 30th March 2017. I was there and was fascinated by the strong cubistic light triangles and the colour differences (yellow, purple, red).

     

    Graphite & colour pencil drawing (Pentel 0.5 mm, 3B & Derwent Coloursoft) on Canson Bristol paper (21 x 29.7 x 0.1 cm - A4 format)

     

    Artist: Corné Akkers

     
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    The return of the dutch elephants (@ Gouda) - 12-07-17

     

    Some time ago I saw a cloud that perfectly looked like a baby elephant. I got the idea to draw the canal realistally and transcend into a more abstract mid-section (trees in my roundism style) and end in a surrealistic scene, thus combining impressionism, realism, cubism, roundism and surrealism.

     

    Graphite pencil drawing (Pentel 0.5 mm, 3B) on Strathmore Bristol paper (21 x 29.7 x 0.1 cm - A4 format)

     

    Artist: Corné Akkers

     
  • Summer in Holland – 25-07-18 In the dead of summer it is so hot here in The Hague I had double vision. That is why I serve two women for the price of one. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.2 x 0.1 cm) Artist: Corné Akkers
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    Sans titre - 27-02-16 (sold)

     

    Part of the sans titre series, depicting Bette Davis, American actress and celebrity. Everyone knows Bettie Davis' eyes by Kim Karnes. Enough said? Not yet. I thought Bettie's eyes to be cubist rather than round.

     

    Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format)

     

    Artist: Corné Akkers

     
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    Sans titre - 05-05-17

     

    This one represents Darja Collin, fomer wife of J. Slauerhoff, a great dutch poet and writer of the 1930s. I liked combining circles, rectangulars and triangles in this one.

     

    Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format)

     

    Artist: Corné Akkers

     
  • Sans titre – 30-07-18 I was captured by the high lights at the top and the bottom and decided to keep the planes straight, putting the stress on the rough edged character of the figure. I also didn’t straighten out much of the lines and planes for that reason, keeping it a kind of worked out sketch rather than to refine and soften it too much. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers
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    Roundism (singularity) - 05-06-17

     

    A pastel version of the graphite pencil drawing 'Roundism (singularity) 01-06-17'. This is a first worked out principle of singularity. By singularity I mean that curves approach straight lines or planes without ever touching them.

     

    Pastel drawing on Canson Mi-Teintes Touch paper (50 x 65 x 0.1 cm)

     

    Artist: Corné Akkers

     
  • Out of stock
     

    Roundism (singularity) - 01-06-17

     

    In this drawing I tried to work out my (artistic) understanding of singularity. I came to see that bending curves to straight structures could symbolize infinity on a piece of paper that is restricted by its very nature.

     

    Graphite pencil drawing (Pentel 0.5 mm, 3B) on Lana Bristol paper (21 x 29.7 x 0.01 cm) - A4 format)

     

    Artist: Corné Akkers

       

    In this drawing I tried to work out my (artistic) understanding of singularity. I came to see that bending curves to straight structures could symbolize infinity on a piece of paper that is restricted by its very nature.

     

    Graphite pencil drawing (Pentel 0.5 mm, 3B) on Lana Bristol paper (21 x 29.7 x 0.01 cm) - A4 format)

     

    Artist: Corné Akkers

     
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